7)Looking back at your preliminary task, what do you feel you have learnt in the progression from it to the full product:
In the beginning I learnt how to successfully follow the 180’ rule through the Preliminary Task, then after talking it through with my group we arranged who would be acting in our Film, we kept our plot very simple as we knew there are many pitfalls related to being too complicated, we also left out sound tracks and narratives in place for a simplistic wild track because we wanted to keep our films’ subject matter raw and frank which challenges a lot of the glamorisation of crime in the media today.
Most of what I have learnt over this course, turned out to be quite different from what I expected filming to be like. Originally I thought that through use of extensive planning the filming process would follow a rigid time table however I now know that practicality in many ways is more important than planning. I also learnt that you must be prepared to work longer than expected to achieve the desired material, and more often than not through exploration of your location and your actors that you discover that many of the ideas you had are unfeasible in terms of practicality, and that you will find many more interesting shots and ideas if you explore your locations and actors’ abilities.
Tuesday, 27 April 2010
Evaluation: Question 6
6) What have you learnt about technologies from the process of constructing this product
Over the filming process I have learnt about all of the different elements o
f armature film making, in terms of filming technique I have learnt to use the basics of a digital camera, utilising light contrasts for more stylish effects, this was important especially in the last scene of our film.
In terms of software I have learnt how to display work on a blog and how to use different sorts of media to get my information acro.jpg)
ss in the most effective ways. As well as knowing how to use Adobe Premier to edit a film, manipulating existing implementations to get specific desired effects which was put to use in making the titles for our film as we needed to use cross fading effects as well as picture movement to replicate the disturbed title menu in “Se7en” 
Over the filming process I have learnt about all of the different elements o
f armature film making, in terms of filming technique I have learnt to use the basics of a digital camera, utilising light contrasts for more stylish effects, this was important especially in the last scene of our film. In terms of software I have learnt how to display work on a blog and how to use different sorts of media to get my information acro
.jpg)
ss in the most effective ways. As well as knowing how to use Adobe Premier to edit a film, manipulating existing implementations to get specific desired effects which was put to use in making the titles for our film as we needed to use cross fading effects as well as picture movement to replicate the disturbed title menu in “Se7en” Evaluation: Question 5
5) How did you attract/address your audience
The main way in which our film attracts the younger age demographic.jpg)
is the thrilling and shocking plot line featuring violence an chasing, its simplistic nature gives the audience less baggage in which to enjoy the raw excitement.
The social aspects of the play directly address the age group we have chosen, raising points about the way the media portrays youth as evil, brandishing them as “chavs” of “hoodies”. This addresses and attracts the audience because they can relate to the sort of characters who are included in the film and the way they cause trouble.
It also attracts our audience because the actors in it are young too, younger audience members like this because it makes them feel more involved as an age group and the wa
y in which the characters of the same age deal with dilemmas applies more to the audience because they can relate.
The audience also feel included through the use of domestic location, it makes them feel that the place they live and the people in it are important and exiting.
An example of these different points would be the hit teen show “Skins”. With young actors and the domestic location on Bristol city as well as the yout
h orientated plotlines, the audiences tend to see a lot of themselves within the characters on the show.
The main way in which our film attracts the younger age demographic
.jpg)
is the thrilling and shocking plot line featuring violence an chasing, its simplistic nature gives the audience less baggage in which to enjoy the raw excitement.The social aspects of the play directly address the age group we have chosen, raising points about the way the media portrays youth as evil, brandishing them as “chavs” of “hoodies”. This addresses and attracts the audience because they can relate to the sort of characters who are included in the film and the way they cause trouble.
It also attracts our audience because the actors in it are young too, younger audience members like this because it makes them feel more involved as an age group and the wa
y in which the characters of the same age deal with dilemmas applies more to the audience because they can relate.The audience also feel included through the use of domestic location, it makes them feel that the place they live and the people in it are important and exiting.
An example of these different points would be the hit teen show “Skins”. With young actors and the domestic location on Bristol city as well as the yout
h orientated plotlines, the audiences tend to see a lot of themselves within the characters on the show.Evaluation: Question 4
4) Who would be the audience for your media product.
The age demographic for our film is 16-25 year olds; this is mainly because it features young actors who would appeal to a younger audience. People of this age group are also attracted to our film for a number of reasons; the first is its Thrilling plot line. The plot line for our film is fairly mainstream because it is simple and based to thrill and shock the audience; we made it like this because of some of the data we got back from our Audience research, when I interviewed people within our selected demographic I asked them what sub genres they expected from independent and mainstream films. The highest response for mainstream was action followed by crime, with these in mind we decided to choose a sub-genre which included elements from both: British Gangster.
The age demographic for our film is 16-25 year olds; this is mainly because it features young actors who would appeal to a younger audience. People of this age group are also attracted to our film for a number of reasons; the first is its Thrilling plot line. The plot line for our film is fairly mainstream because it is simple and based to thrill and shock the audience; we made it like this because of some of the data we got back from our Audience research, when I interviewed people within our selected demographic I asked them what sub genres they expected from independent and mainstream films. The highest response for mainstream was action followed by crime, with these in mind we decided to choose a sub-genre which included elements from both: British Gangster.
Evaluation: Question 3
3)What kind of media institution might distribute your media product and why?
Due to the raw and violent nature of our film it would lend itself more to affiliations such
as Warp Films, Warp Film
s have a history of successfully exhibiting many short and independent films, most notably “Dead Man’s Shoes”. This film is similar to ours in may ways, it explores many contemporary social issues and is set in a domestic location
As our film is aimed at younger audiences it would be a good idea to use the internet for the majority of the marketing, Utilising
websites such as YouTube or MySpace because young people who use these websites will be attracted to our film because of the domestic setting and references to the youth in contemporary Britain, as well as its thrilling plot line. One film too be successfully distributed over the internet is the gruesome horror 
“Beyond The Rave”. It was released in a series of twenty parts on the website MySpace which worked successfully because the young people who use MySpace were drawn to the musical references and thrilling content.
Due to the raw and violent nature of our film it would lend itself more to affiliations such
as Warp Films, Warp Films have a history of successfully exhibiting many short and independent films, most notably “Dead Man’s Shoes”. This film is similar to ours in may ways, it explores many contemporary social issues and is set in a domestic locationAs our film is aimed at younger audiences it would be a good idea to use the internet for the majority of the marketing, Utilising
websites such as YouTube or MySpace because young people who use these websites will be attracted to our film because of the domestic setting and references to the youth in contemporary Britain, as well as its thrilling plot line. One film too be successfully distributed over the internet is the gruesome horror 
“Beyond The Rave”. It was released in a series of twenty parts on the website MySpace which worked successfully because the young people who use MySpace were drawn to the musical references and thrilling content.
Monday, 26 April 2010
Evaluation: Question 2
2)How does your media product represent particular social groups:
We specifically made sure to include strong social representation in our film; however as the genres of our film are Thriller and British Gangster so the social representation is very negative, as violence, psychosis and unlawfulness are all associated with those genres.
In our film Daniel and Jordan are represented as British “hoody”
Criminal youths, we thought that many thrillers and British Gangsters try to stylise the characters as wither being intellectual and mysterious or cheeky and charismatic, however we wanted to show something a lot more rawer that captures the reality behind physical attacks in the UK. This was created by the props we used such as cigarettes and the blunt weapon used to attack Jess’s character, as well as the clothing: Both characters are dressed in long coats similar to those worn in may British Gangster films , they also wear jeans and big durable boots, this not only links to them to aspects of British Gangster and Thriller, but also shows that they are working class as those clothing styles have been popular for years, these styles can be seen in the film “Lock Stock And Two Smoking Barrels”, however although many of the clothing st
yles have been drawn this film we made sure to stay clear of including the same sort of cocky and swaggerish attitudes displayed in the characters mindset. Instead we made sure both Daniel and Jordan kept their heads down with a low profile throughout the film and remained silent throughout the killing of Jess’s character. We did this because we thought that most instances of criminals in Thrillers or British Gangsters have been glamorised and don’t show the truth behind serious acts of violence and barbarity that we can see in our communities from day to day. We can show this issue is relevant because of data gathered from the Youth Justice Board showing the increasing amount of money being spent on dealing with crime inthe UK from years 2000 to 2007.
We specifically made sure to include strong social representation in our film; however as the genres of our film are Thriller and British Gangster so the social representation is very negative, as violence, psychosis and unlawfulness are all associated with those genres.
In our film Daniel and Jordan are represented as British “hoody”
Criminal youths, we thought that many thrillers and British Gangsters try to stylise the characters as wither being intellectual and mysterious or cheeky and charismatic, however we wanted to show something a lot more rawer that captures the reality behind physical attacks in the UK. This was created by the props we used such as cigarettes and the blunt weapon used to attack Jess’s character, as well as the clothing: Both characters are dressed in long coats similar to those worn in may British Gangster films , they also wear jeans and big durable boots, this not only links to them to aspects of British Gangster and Thriller, but also shows that they are working class as those clothing styles have been popular for years, these styles can be seen in the film “Lock Stock And Two Smoking Barrels”, however although many of the clothing st
yles have been drawn this film we made sure to stay clear of including the same sort of cocky and swaggerish attitudes displayed in the characters mindset. Instead we made sure both Daniel and Jordan kept their heads down with a low profile throughout the film and remained silent throughout the killing of Jess’s character. We did this because we thought that most instances of criminals in Thrillers or British Gangsters have been glamorised and don’t show the truth behind serious acts of violence and barbarity that we can see in our communities from day to day. We can show this issue is relevant because of data gathered from the Youth Justice Board showing the increasing amount of money being spent on dealing with crime inthe UK from years 2000 to 2007.Jessica’s Character raises different sorts of social representations from the angle of the physical dominance men have over women. We showed this firstly by dressin
g jess in feminine clothes such as high heels and an impractical stylish cardigan, these clothing items make it very difficult for Jess’s character to compete physically against a violent male aggressor, and they also make Jess’s character look less threatening and more vulnerable, because of the strong feminine styles. We can draw parallels between Jess's character and the young girl in "London To Brighton" in the way that by letting her femininity show, she found herself in a bad 
situation at eh hands of an evil man. We did this to enhance the sense of victimisation by creating greater contrast between the attackers and the innocent, thus increasing the sense of shock that brings home the social representations I discussed earlier in a more efficient way.
g jess in feminine clothes such as high heels and an impractical stylish cardigan, these clothing items make it very difficult for Jess’s character to compete physically against a violent male aggressor, and they also make Jess’s character look less threatening and more vulnerable, because of the strong feminine styles. We can draw parallels between Jess's character and the young girl in "London To Brighton" in the way that by letting her femininity show, she found herself in a bad situation at eh hands of an evil man. We did this to enhance the sense of victimisation by creating greater contrast between the attackers and the innocent, thus increasing the sense of shock that brings home the social representations I discussed earlier in a more efficient way. This is also relevant to Britain with females taking a far smaller part in crime, as this data Youth Justice Board shows:
Sunday, 25 April 2010
Evaluation: Question 1
1) In what ways does your media product use, develop or challenge forms and conventions of real media products?
Within the category of our film’s genres: Thriller and British Gangster we have included many traditional forms and con
ventions, which came naturally from our own preconceptions that stem from what films we have watched and what we are used to.
The first aspect of our film that we have drawn from classic forms within the conventions Thriller and British gangster is our filming location. “The Civ” is a burnt out old building which houses many different possible shots inside and out which share many things with our film’s genres.
ventions, which came naturally from our own preconceptions that stem from what films we have watched and what we are used to.The first aspect of our film that we have drawn from classic forms within the conventions Thriller and British gangster is our filming location. “The Civ” is a burnt out old building which houses many different possible shots inside and out which share many things with our film’s genres.
From These two pictures alone we can see quite a few traditional examples of the sort of visual, metaphorical and social components that are linked with the 
Thriller genre as well as the genre of British Gangster, the first of these is the imagery that is implied by the setting, the most notable is the dark and sinister atmosphere which is created from the small and enclosed spaces, this creates a sense of entrapment, a technique used many thrillers, most notably “The Third Man”. The enclosed spaces also create strong contrast between light and, the forested area outside throws out many eerie shadows that can be very unsettling; this technique is known as chiaroscuro and was used widely in many classic thrillers, it is also present in the shot from the third man adding depth and intrigue into the end of the tunnel and further enhancing the sense of entrapment.
It is also clear from the state of the building that it has been heavily vandalised and covered in graffiti, this also creates the sense of danger and forbiddance because it implies that dangers and violent people tend to hang out there. It is these sorts of unsavoury places that often pop up in Thrillers and even more commonly British Gangsters. An example of this is the disused farm that the psychotic killer in “Dead Man’s Shoes” uses as a hide out.
The location also has social connotations often connected to British Gangster. It is usually the working class who are involved as gangsters in the films. And the setting for our film is a typical component of a working class area, and one that could easily see misguided visitors that have turned to violence or unlawfulness. The sound was also captured as a wild track; this includes far off machinery and birdcall, all of these sounds work with the visual imagery to build a very domestic environment which could be paralleled with any British Gangster film.
Our film also features conventions found in Thrillers and British Gangster within its plotline. Our film features a female running and hiding in the “Civ” before being beaten to death. This uses the obvious convention of violence to create a thrilling experience and is used in both Thriller and British Gangster.
Our film also includes social elements in the form of male dominating female characters, this is seen many Thriller and British Gangster films which we can see in the way the male gangsters treat the females around them.
The Final way in which our film follows the conventions of Thriller and British Gangster was through the use of costumes
and props. Most notably is the way in which Jordan and Daniel’s characters are dressed almost entirely black with long coats and heavy boots, this clothing style is present in British gangster as both those clothing items are typically British clothing items as shown in this shot from “Lock Stock And Two Smoking Barrels”. Dark clothing styles have also been a part of Thrillers since they began because they add darkness and mystery to a character.
The props we used in our film also shared
characteristics of Thriller, for instance before we show the clip in which Jess’s character gets killed Jordan’s character is shown dropping a cigarette on the flaw and stubbing it with his boot, the cigarette has been a staple in Thriller and British Gangster because they connote a somewhat disregard for the rules. They way in which an actor uses one can also connote many different things, in our film the stubbing out with the boot suggests authority and an unpleasant character.
We have also developed many aspects of the Thriller and British Gangster conventions in our film. We have heavily stylised and concentrated the themes of violence and darkness creating feelings that are corrupt or debased. This bleak imagery mixed with the actual plot context could raise some ethical and social issues to do with the state of British youth and problem of “hoody culture”. We also challenged the conventions by putting the film on the platform of an independent film, with the camera work being low tech in an almost fly on the wall style, sharing some styles with “Red Road” it gives the film a lot more of a raw feel.
Thriller genre as well as the genre of British Gangster, the first of these is the imagery that is implied by the setting, the most notable is the dark and sinister atmosphere which is created from the small and enclosed spaces, this creates a sense of entrapment, a technique used many thrillers, most notably “The Third Man”. The enclosed spaces also create strong contrast between light and, the forested area outside throws out many eerie shadows that can be very unsettling; this technique is known as chiaroscuro and was used widely in many classic thrillers, it is also present in the shot from the third man adding depth and intrigue into the end of the tunnel and further enhancing the sense of entrapment.
It is also clear from the state of the building that it has been heavily vandalised and covered in graffiti, this also creates the sense of danger and forbiddance because it implies that dangers and violent people tend to hang out there. It is these sorts of unsavoury places that often pop up in Thrillers and even more commonly British Gangsters. An example of this is the disused farm that the psychotic killer in “Dead Man’s Shoes” uses as a hide out.The location also has social connotations often connected to British Gangster. It is usually the working class who are involved as gangsters in the films. And the setting for our film is a typical component of a working class area, and one that could easily see misguided visitors that have turned to violence or unlawfulness. The sound was also captured as a wild track; this includes far off machinery and birdcall, all of these sounds work with the visual imagery to build a very domestic environment which could be paralleled with any British Gangster film.
Our film also features conventions found in Thrillers and British Gangster within its plotline. Our film features a female running and hiding in the “Civ” before being beaten to death. This uses the obvious convention of violence to create a thrilling experience and is used in both Thriller and British Gangster.
Our film also includes social elements in the form of male dominating female characters, this is seen many Thriller and British Gangster films which we can see in the way the male gangsters treat the females around them.
The Final way in which our film follows the conventions of Thriller and British Gangster was through the use of costumes
and props. Most notably is the way in which Jordan and Daniel’s characters are dressed almost entirely black with long coats and heavy boots, this clothing style is present in British gangster as both those clothing items are typically British clothing items as shown in this shot from “Lock Stock And Two Smoking Barrels”. Dark clothing styles have also been a part of Thrillers since they began because they add darkness and mystery to a character.The props we used in our film also shared
characteristics of Thriller, for instance before we show the clip in which Jess’s character gets killed Jordan’s character is shown dropping a cigarette on the flaw and stubbing it with his boot, the cigarette has been a staple in Thriller and British Gangster because they connote a somewhat disregard for the rules. They way in which an actor uses one can also connote many different things, in our film the stubbing out with the boot suggests authority and an unpleasant character.We have also developed many aspects of the Thriller and British Gangster conventions in our film. We have heavily stylised and concentrated the themes of violence and darkness creating feelings that are corrupt or debased. This bleak imagery mixed with the actual plot context could raise some ethical and social issues to do with the state of British youth and problem of “hoody culture”. We also challenged the conventions by putting the film on the platform of an independent film, with the camera work being low tech in an almost fly on the wall style, sharing some styles with “Red Road” it gives the film a lot more of a raw feel.
Tuesday, 20 April 2010
Digital Screen Network
1.How can it help independent producers and exhibitors like Picturehouse?
2.What will it mean for audiences?
3.How does your local area benefit? (You may need to look at the UKFC website for this information).
4.How does it impact on YOUR film consumption?
5.What will this technology also provide to cinemas? (Think about audiences or alternative viewing)
6.What can you suggest this might mean for other technologies? (Consider proliferation of hardware)
1. Through the use of Digital Screen Network independent cinemas such as Picture House can show films infinitely without having to pay extra for film reels that perish and wear out over time from use, this is highly beneficial to independent cinemas as they work on a smaller budget. Also because digital hardware is smaller and more compact than traditional equipment. Furthermore because digital technology allows films to be stored as data allows independent films to acquire and distribute entire films from the film companies without shipping heavy and delicate equipment.
2.For audiences ticket prices can be cheaper and if the cinema economizes on the extra space created by the smaller digital equipment they could also experience more luxurious or increased seating space. The quality of the film being shown is also in higher definition than older technology.
3.The local area can benefit from having a wider variety of film types to watch because through easier transition of film data the cinema can afford to show foreign and obscure films from every corner of the filming industry.
4.I can experience a great choice of films for a lower price and watch them in a high definition with rich sound and colour.
5.This new technology will create I wider variety of audiences especially teenagers and young adults who are often enticed by new technology.
6.Older technologies could in many ways become obsolete, however there is a strong possibility that viewing films through older technology could be considered as a new and interesting experience alongside digital films, this could then be exploited as a marketing opportunity – “vintage Equipment Film Night”
2.What will it mean for audiences?
3.How does your local area benefit? (You may need to look at the UKFC website for this information).
4.How does it impact on YOUR film consumption?
5.What will this technology also provide to cinemas? (Think about audiences or alternative viewing)
6.What can you suggest this might mean for other technologies? (Consider proliferation of hardware)
1. Through the use of Digital Screen Network independent cinemas such as Picture House can show films infinitely without having to pay extra for film reels that perish and wear out over time from use, this is highly beneficial to independent cinemas as they work on a smaller budget. Also because digital hardware is smaller and more compact than traditional equipment. Furthermore because digital technology allows films to be stored as data allows independent films to acquire and distribute entire films from the film companies without shipping heavy and delicate equipment.
2.For audiences ticket prices can be cheaper and if the cinema economizes on the extra space created by the smaller digital equipment they could also experience more luxurious or increased seating space. The quality of the film being shown is also in higher definition than older technology.
3.The local area can benefit from having a wider variety of film types to watch because through easier transition of film data the cinema can afford to show foreign and obscure films from every corner of the filming industry.
4.I can experience a great choice of films for a lower price and watch them in a high definition with rich sound and colour.
5.This new technology will create I wider variety of audiences especially teenagers and young adults who are often enticed by new technology.
6.Older technologies could in many ways become obsolete, however there is a strong possibility that viewing films through older technology could be considered as a new and interesting experience alongside digital films, this could then be exploited as a marketing opportunity – “vintage Equipment Film Night”
1.How many films in total are being exhibited?
50 Films
2.Select a range of 3 different films for each cinema. How many times is each film screened? What does this mean for audiences?
Vue:
Alice In Wonderland: 6
How To Train Your Dragon: 2
I Love You Phillip Morris: 5
Picture House:
Perrier’s Bounty: 7
Kick-Ass: 2
The Girl With The Dragon Tattoo: 4
3.Identify the total number of films in relation to the total number of screenings.
Cinema City had 8 films on show with 25 screenings. Vue had 16 films on show with 63 screenings
4. Identify the % of Hollywood films vs British films for each cinema that weekend
11 out of 15 films shown in view are Hollywood films with only 4 out of being British At Cinema City 3 out of 5 films are British
5.What conclusions can you draw about how different audiences are catered for in your local area?
British audiences have a good choice in terms of consuming films. At Vue they can consume mainstream films with quite a few choices in British film; However if you did want a specifically British films you can go to Cinema City. As a consumer I was surprised at the amount of British films in Vue, I am undecided on which cinema I would go to. I think it would depend on the occasion.
50 Films
2.Select a range of 3 different films for each cinema. How many times is each film screened? What does this mean for audiences?
Vue:
Alice In Wonderland: 6
How To Train Your Dragon: 2
I Love You Phillip Morris: 5
Picture House:
Perrier’s Bounty: 7
Kick-Ass: 2
The Girl With The Dragon Tattoo: 4
3.Identify the total number of films in relation to the total number of screenings.
Cinema City had 8 films on show with 25 screenings. Vue had 16 films on show with 63 screenings
4. Identify the % of Hollywood films vs British films for each cinema that weekend
11 out of 15 films shown in view are Hollywood films with only 4 out of being British At Cinema City 3 out of 5 films are British
5.What conclusions can you draw about how different audiences are catered for in your local area?
British audiences have a good choice in terms of consuming films. At Vue they can consume mainstream films with quite a few choices in British film; However if you did want a specifically British films you can go to Cinema City. As a consumer I was surprised at the amount of British films in Vue, I am undecided on which cinema I would go to. I think it would depend on the occasion.
Saturday, 17 April 2010
Actors
As the theme for our film is that of a thriller the actors we use will need to bring raw elements of darkness and roughness to the film through their own personalities and image. It is also necessary that they actors live close to, or have easy access to our filming location.
We have decided to use members of our group to act within our thriller because it will be easy to oversee the filming progress and portray our ideas whilst acting; also all of the members of our group who are acting are within reasonably close vicinity of our filming location.
We have decided to use members of our group to act within our thriller because it will be easy to oversee the filming progress and portray our ideas whilst acting; also all of the members of our group who are acting are within reasonably close vicinity of our filming location.
The main character in our film is Jess, when acting Jess tried to draw inspiration from the character Joanne in the film “London To Brighton” because she is vulnerable and lost in a dark unforgiving world. Jess 
also has quite a few clothes which fit her character well.
also has quite a few clothes which fit her character well. Daniel and Jordan play the other two characters in our film and suit the needs of them well because they are quite tall and have reasonably stocky builds, and this suits them to the violent and physically strong persona of the characters that they play. When filming Daniel and Jordan tried to emulate the unlawful and violent antagonists in the film “London To Brighton”. They also have dark and durable clothes such as coats and boots which share connotations with the Thriller genre and our film’s subgenre of 
British Gangster.
Finally all of the actors are within close range of the filming location because the CIV is very close to the school which makes for easy filming access after school and in free periods.
British Gangster.Finally all of the actors are within close range of the filming location because the CIV is very close to the school which makes for easy filming access after school and in free periods.
Thursday, 18 March 2010
Sunday, 14 March 2010
Representation Of Gender In Eastenders - First 5 Mins
Sound:
At the start of the excerpt it is clear that the voices of the four characters are hushed and serious indicating that the content of their convocation is secret and perhaps incriminate, in terms of gender representation we can see the men being more confrontational were as the woman is being more defensive and tries to brush of accusations were as when the men accuse and confront each other they retaliate with different arguments for each other, however we must take still keep the content of the discussion in mind. After we have seen the discussion between the four male characters in the car park we are given a discussion between two women, as with the last discussion their voices are hushed and agitated, one of the women is confronting the other, however both characters are displaying more emotions than the confrontation between the men, whereas before the male characters were angry and outraged, now both characters show earnest sadness and the woman being confronted still shows compassion and calmness for her accuser. After these two instances of vocal expression we are given a livelier scene of a bar with many characters vocalising in different ways, we can see confrontation regarding the previous topics but also about the state of a woman’s wedding cake, we also see both male and females acting brashly and assertively.
Camera Shots:
The camera shots at the start of the clip are intimate to the convocation, with loose over the shoulder shots and close-ups as well as midrange, also through use of the 180 degree rule the camera divides the accused and the accusers, giving a greater sense of confrontation and giving the audience a greater sense of inclusion as if they’re in on the secret. There are also some panning shots whilst in the pub all taken at head height, once again creating a sense of being there, perhaps this is specifically intentional to live aspect of this particular episode.
Editing:
The editing of this clip is fast and urgent fitting with the nature of the story, sharp cuts leading from one scene to another create a heightened sense of excitement giving the feeling that the audience have a view to a killing, making them witnesses and enticing the to make their own assumptions alongside the characters.
Mise En Scene:
In the first part of the clip when we are given the confrontation between the three male characters and the female on we can see that the woman is dressed in a white coat, this increases the differentiation between male and female and gives her a sense of vulnerability against the dark suits of the men. In the second scene we can see an advertisement for the cars that the recently murdered man that has been the topic of discussion, the man in this picture appears to have red paint smeared over his head, this connotes death, violence and blood and increases the sense of gravity of the situation within the community and creates mystery and intrigue as to who killed him. In front of the vandalised poster we see two women, one wears her hair down and is plainly dressed while the other is dressed more expensively with her up with a fascinator, the more lavishly dressed woman is accusing the other of the murder, it could be said that her more pretentious style matches her assumptive stance on the situation creating more drama in the scene.
After we have seen the confrontation between the two woman the scene changes to that of a pub, this setting like the rest of the scene is very domestic and gives a connection between the British audience and the programme, and in this particular storyline increases a sense of realism and again creates the idea of the audience being placed into the story line which could be intentionally in spirit with the fact the it is a live episode. Once in the pub the imagery is very stereotypical for a British location and the gender roles of the males and females are somewhat slurred through the inclusion of alcohol making both genders more aggressive and boisterous, we can also see that the females are dressed in a rather revealingly again creating links with the idea of alcoholism
At the start of the excerpt it is clear that the voices of the four characters are hushed and serious indicating that the content of their convocation is secret and perhaps incriminate, in terms of gender representation we can see the men being more confrontational were as the woman is being more defensive and tries to brush of accusations were as when the men accuse and confront each other they retaliate with different arguments for each other, however we must take still keep the content of the discussion in mind. After we have seen the discussion between the four male characters in the car park we are given a discussion between two women, as with the last discussion their voices are hushed and agitated, one of the women is confronting the other, however both characters are displaying more emotions than the confrontation between the men, whereas before the male characters were angry and outraged, now both characters show earnest sadness and the woman being confronted still shows compassion and calmness for her accuser. After these two instances of vocal expression we are given a livelier scene of a bar with many characters vocalising in different ways, we can see confrontation regarding the previous topics but also about the state of a woman’s wedding cake, we also see both male and females acting brashly and assertively.
Camera Shots:
The camera shots at the start of the clip are intimate to the convocation, with loose over the shoulder shots and close-ups as well as midrange, also through use of the 180 degree rule the camera divides the accused and the accusers, giving a greater sense of confrontation and giving the audience a greater sense of inclusion as if they’re in on the secret. There are also some panning shots whilst in the pub all taken at head height, once again creating a sense of being there, perhaps this is specifically intentional to live aspect of this particular episode.
Editing:
The editing of this clip is fast and urgent fitting with the nature of the story, sharp cuts leading from one scene to another create a heightened sense of excitement giving the feeling that the audience have a view to a killing, making them witnesses and enticing the to make their own assumptions alongside the characters.
Mise En Scene:
In the first part of the clip when we are given the confrontation between the three male characters and the female on we can see that the woman is dressed in a white coat, this increases the differentiation between male and female and gives her a sense of vulnerability against the dark suits of the men. In the second scene we can see an advertisement for the cars that the recently murdered man that has been the topic of discussion, the man in this picture appears to have red paint smeared over his head, this connotes death, violence and blood and increases the sense of gravity of the situation within the community and creates mystery and intrigue as to who killed him. In front of the vandalised poster we see two women, one wears her hair down and is plainly dressed while the other is dressed more expensively with her up with a fascinator, the more lavishly dressed woman is accusing the other of the murder, it could be said that her more pretentious style matches her assumptive stance on the situation creating more drama in the scene.
After we have seen the confrontation between the two woman the scene changes to that of a pub, this setting like the rest of the scene is very domestic and gives a connection between the British audience and the programme, and in this particular storyline increases a sense of realism and again creates the idea of the audience being placed into the story line which could be intentionally in spirit with the fact the it is a live episode. Once in the pub the imagery is very stereotypical for a British location and the gender roles of the males and females are somewhat slurred through the inclusion of alcohol making both genders more aggressive and boisterous, we can also see that the females are dressed in a rather revealingly again creating links with the idea of alcoholism
Wednesday, 3 March 2010
Tuesday, 2 March 2010
Moving Image Production Has Always Been Lead By The Audience’s Demand For New Sensation
Throughout the history of films the audience has always had a thirst for something more intense and sensational than the last thing they saw, however does the drive for something new overshadow the plot and performance of the actors for something more visually engaging.
The Great Train Robbery was created in 1903 and was considered a milestone in film making, and although only 12 minutes long it featured many new innovative filming techniques such as cross cutting, double exposure composite editing, as well as various explosion and smoke special effects. It also includes one of the characters who took part in the robbing of the train shooting his pistol at the camera at the end of the film. If we compare the plot of the film to the spectacle that it created at the time it is easy to see that the purpose of the film was to shock the audience, and this was portrayed in their response to the film with the majority of the audience being stunned, especially at the end where one of the robbers shoots at the audience. One explanation as to why films have always tried to create more shocking visual experiences was through the success of this early film, with directors following trying to gain the same success with the same tactics.
To gain a better point of view on the question the film Dead Man’s Shoes could be compared. Dead man’s shoes is a British psychological thriller, with a budget of £723,000 which makes it a lot cheaper than most films. It was co-written by Shane Meadows and Paddy Constantine, and was inspired by a lot of the crimes and injustices that both men experienced when they were young. The film is set in the Peak District and features a paratrooper named Richard returning to his small hometown to enact a violent revenge on the tormenters of his younger brother Anthony, who suffers from learning disabilities. Once Richard has killed all but one of his brother’s tormentors we realize that the Richards disabled brother who had been with him throughout the film was merely a figment of his imagination and the gang had let Anthony die whilst Richard had been off on duty, this tragedy had led Richard to go quite insane. The film ends with Richard forcing the last member to kill him so he could “lie down with his brother”.
The film features next to no special effects and is set in a very stark and unglamorous location. This film definitely uses its deep plot and emotional psychological exploration to make its audience think about injustice and morality. However it does have its fare share of action with regular drug usage and strong violence, however none of this is glamorized and the actions feel more repulsive than entertaining. The audience reaction to this film is in ways similar to the Great Train Robbery in that both audiences were scared and unsettled my much of action and violence in the films; however the Great Train Robbery fails to enlighten the audience.
Avatar is a very recent Sci-Fi film with an extremely high budget of 237 million dollars. The film itself is shot using CGI, this is to make the content of the film possible. The film is set in the future were a space colony of humans try to force out a civilization of aliens from their home planet in order for the humans to mine an extremely rare and valuable element. The film has stunned audience with is luscious visual content which rocketed the film to be the most profitable film ever made. In terms of plot substance the film does grapple with some of the contemporary debates such as exploitation of resources and the destruction of culture; the film does not however explore these themes in particularly deep or insightful way, mainly because the grandeur of the film acts detaches the audience from a lot of the emotional and moral tensions. This sense of detachment form involvement of emotion is increased through the films distribution in that it can be watched in 3-D, this increases the visual sensation even more but does not increase the profundity of the film.
As a conclusion it is easy to deduct that as filming and visual technology becomes more advance we will see new breeds and generations of film based around the idea of shock and spectacle so as to make full use of the extent of the technology. However films that feature heavily around deep, profound and complex plot lines have been running almost throughout the history of film making and they do not intrinsically change. The increasing accessibility to film technology must also be taken into account, low budget films with rawer and starker content are being brought more to the forefront and often reaching the mainstream. These films usually include a more relevant and insightful viewing experience.
Perhaps all people who enjoy watching films are looking for something to create a different sense of feeling or experience to what they are used to, keeping this in mind it is quite easy to see why the majority of film audiences gravitate towards films which include bold and rich visual sensation because they are easier to consume as the audience members don’t have to emotionally or mentally involve themselves in a visually intense film as much as a film with a complex and deep plot line; It could be said that cinema is not being associate so much as an exhibition for artistic media but more for just another night out for entertainment.
The Great Train Robbery was created in 1903 and was considered a milestone in film making, and although only 12 minutes long it featured many new innovative filming techniques such as cross cutting, double exposure composite editing, as well as various explosion and smoke special effects. It also includes one of the characters who took part in the robbing of the train shooting his pistol at the camera at the end of the film. If we compare the plot of the film to the spectacle that it created at the time it is easy to see that the purpose of the film was to shock the audience, and this was portrayed in their response to the film with the majority of the audience being stunned, especially at the end where one of the robbers shoots at the audience. One explanation as to why films have always tried to create more shocking visual experiences was through the success of this early film, with directors following trying to gain the same success with the same tactics.
To gain a better point of view on the question the film Dead Man’s Shoes could be compared. Dead man’s shoes is a British psychological thriller, with a budget of £723,000 which makes it a lot cheaper than most films. It was co-written by Shane Meadows and Paddy Constantine, and was inspired by a lot of the crimes and injustices that both men experienced when they were young. The film is set in the Peak District and features a paratrooper named Richard returning to his small hometown to enact a violent revenge on the tormenters of his younger brother Anthony, who suffers from learning disabilities. Once Richard has killed all but one of his brother’s tormentors we realize that the Richards disabled brother who had been with him throughout the film was merely a figment of his imagination and the gang had let Anthony die whilst Richard had been off on duty, this tragedy had led Richard to go quite insane. The film ends with Richard forcing the last member to kill him so he could “lie down with his brother”.
The film features next to no special effects and is set in a very stark and unglamorous location. This film definitely uses its deep plot and emotional psychological exploration to make its audience think about injustice and morality. However it does have its fare share of action with regular drug usage and strong violence, however none of this is glamorized and the actions feel more repulsive than entertaining. The audience reaction to this film is in ways similar to the Great Train Robbery in that both audiences were scared and unsettled my much of action and violence in the films; however the Great Train Robbery fails to enlighten the audience.
Avatar is a very recent Sci-Fi film with an extremely high budget of 237 million dollars. The film itself is shot using CGI, this is to make the content of the film possible. The film is set in the future were a space colony of humans try to force out a civilization of aliens from their home planet in order for the humans to mine an extremely rare and valuable element. The film has stunned audience with is luscious visual content which rocketed the film to be the most profitable film ever made. In terms of plot substance the film does grapple with some of the contemporary debates such as exploitation of resources and the destruction of culture; the film does not however explore these themes in particularly deep or insightful way, mainly because the grandeur of the film acts detaches the audience from a lot of the emotional and moral tensions. This sense of detachment form involvement of emotion is increased through the films distribution in that it can be watched in 3-D, this increases the visual sensation even more but does not increase the profundity of the film.
As a conclusion it is easy to deduct that as filming and visual technology becomes more advance we will see new breeds and generations of film based around the idea of shock and spectacle so as to make full use of the extent of the technology. However films that feature heavily around deep, profound and complex plot lines have been running almost throughout the history of film making and they do not intrinsically change. The increasing accessibility to film technology must also be taken into account, low budget films with rawer and starker content are being brought more to the forefront and often reaching the mainstream. These films usually include a more relevant and insightful viewing experience.
Perhaps all people who enjoy watching films are looking for something to create a different sense of feeling or experience to what they are used to, keeping this in mind it is quite easy to see why the majority of film audiences gravitate towards films which include bold and rich visual sensation because they are easier to consume as the audience members don’t have to emotionally or mentally involve themselves in a visually intense film as much as a film with a complex and deep plot line; It could be said that cinema is not being associate so much as an exhibition for artistic media but more for just another night out for entertainment.
Wednesday, 24 February 2010
Audience Research – Independent And Mainstream Films
The second half of my audience research was to discover what people expected from Independent and Mainstream films. The information I collect could help the direction of my own thriller very well.
From Of One To five, How Would You Rate The Plot Structure Of Independent and Mainstream Films?
From One To Five How Well Do Independent And Mainstream Films Represent Characters
The results for this showed me that it is clear that audiences expect Mainstream films to have good to excellent camera shots, whereas they expect that budget costs will limit the quality and extent of the camera shots in Independent films.
Choose Which Of These Subgenres You Would Expect To See In Mainstream And Independent Films.
It is somewhat harder to obtain extra knowledge from this question because other than what is written clearly on the graphs show. The audience expects action to be largely prominent in Mainstream films whereas they expect Independent films to be on subjects that can greater explo mental and cultural ideas.
Choose Which Of These Settings You Would Expect To See In A Mainstream Or Independent Film.
1)
What I Have Learned:
I have learned that the audience expects the smaller budget of Independent films to be substituted by stronger plot lines and more diverse settings and subgenres. When making my Thriller I will think about how to cater partly to the audience’s expectations of a thriller but perhaps prove them wrong on some of the areas where they think Independent films lack.
From Of One To five, How Would You Rate The Plot Structure Of Independent and Mainstream Films?
Shows that in terms of Mainstream films the audience usually expect films to have a medium to relatively poor plot line and are more concerned that the plot line acts as a catalyst for interesting visual sensation.
Whereas for Independent films they expect that the plot is cheaper to make up for a cheaper budget in terms of visual sensation.
Whereas for Independent films they expect that the plot is cheaper to make up for a cheaper budget in terms of visual sensation.
From One To Five How Well Do Independent And Mainstream Films Represent Characters
When it came to this question I was surprised to see that both films were expected to have good to excellent character representation with both of the answers for Independent and Mainstream films having all been in the upper three choices. This shows that good character representation is integral for a film.
From One To Five How Would You Rate The Use Of Camera Shots In Mainstream And Independent Films?
The results for this showed me that it is clear that audiences expect Mainstream films to have good to excellent camera shots, whereas they expect that budget costs will limit the quality and extent of the camera shots in Independent films.
Choose Which Of These Subgenres You Would Expect To See In Mainstream And Independent Films.
It is somewhat harder to obtain extra knowledge from this question because other than what is written clearly on the graphs show. The audience expects action to be largely prominent in Mainstream films whereas they expect Independent films to be on subjects that can greater explo mental and cultural ideas.
Choose Which Of These Settings You Would Expect To See In A Mainstream Or Independent Film.
1)
2)
Again this question is quite direct and it is hard to explore the thought behind it. One thing I did learn from the people I interviewed was that they thought because that because Independent films have more diverse and rich plot structures, a variety of more obscure settings could cater better to Independent film.
What I Have Learned:
I have learned that the audience expects the smaller budget of Independent films to be substituted by stronger plot lines and more diverse settings and subgenres. When making my Thriller I will think about how to cater partly to the audience’s expectations of a thriller but perhaps prove them wrong on some of the areas where they think Independent films lack.
Tuesday, 23 February 2010
Shot List
Shot One- A girl Running through ally - Mid tracking shot.Not much light, eerie feel to the shot.
**Credits One** Diagetic sound of Girl Running
Shot Two- girl going through the hole in the fence. - Close up from Front. Various Extreme close ups of Arms and hands, Legs and Feet and Face.
**Credits two** Diagetic sound of Fence.
Shot Six- Girl Running to the civ. - Tracking Mid shot from behind with some More ECU.
Shot Seven- Girl cowering in the corner of the sqaush court - panning shot from front.Close ups of her hands and legs.
**Credit Three** Diagetic sound of crying and Footsteps.
Shot eight- Feet appearing at the doorway, cigarette dropping to the floor and foot stamping it out. ECU on cigarette.
Shot nine- first person view of girl looking up at men, the lighting hides their faces .
Shot Ten- first person view of girl running away, grabbed by man one and hit with the weapon by man two.
Shot Eleven- Blood hits wall.Shot Twelve- Shot from Floor in opposite corner of room, girl slides down the wall and close up of feet as they exit the room.
**Credits One** Diagetic sound of Girl Running
Shot Two- girl going through the hole in the fence. - Close up from Front. Various Extreme close ups of Arms and hands, Legs and Feet and Face.
**Credits two** Diagetic sound of Fence.
Shot Six- Girl Running to the civ. - Tracking Mid shot from behind with some More ECU.
Shot Seven- Girl cowering in the corner of the sqaush court - panning shot from front.Close ups of her hands and legs.
**Credit Three** Diagetic sound of crying and Footsteps.
Shot eight- Feet appearing at the doorway, cigarette dropping to the floor and foot stamping it out. ECU on cigarette.
Shot nine- first person view of girl looking up at men, the lighting hides their faces .
Shot Ten- first person view of girl running away, grabbed by man one and hit with the weapon by man two.
Shot Eleven- Blood hits wall.Shot Twelve- Shot from Floor in opposite corner of room, girl slides down the wall and close up of feet as they exit the room.
Monday, 22 February 2010
Initial Audience Research - Consuming Films
I used a questionnaire to collect infomation into the film industry, i asked 10 boys and 10 girls a few different questions to see what there perception of Thriller Films were, and to see how differently the answers between girls and boys varied.
The first question i asked was how the audience preferred to consume there films, be it DVD, cinema, or computer: 
These results show that only the boys that i asked watch films films via PC, we can almost see how this can effect the film industry because the two who have downloaded films could have gone to the cinema.
These results show that only the boys that i asked watch films films via PC, we can almost see how this can effect the film industry because the two who have downloaded films could have gone to the cinema.Following that question i asked my audience was how many people the audience liked to watch films with:
These answers corralate quite strongly with the previous one because we can see that alot of the boys usualy watch films by themselves, which we can guess that there watching downlaoded films on their computers. We can also see that girls are alot more sociable when it comes to watching films.
These answers corralate quite strongly with the previous one because we can see that alot of the boys usualy watch films by themselves, which we can guess that there watching downlaoded films on their computers. We can also see that girls are alot more sociable when it comes to watching films.
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