Tuesday, 17 November 2009

The Opening to Sin City -Re Posted-

Straight away we can see how vast the setting is by the long camera shot. The director uses this to empaphise, through the contrast between the organic shape of the woman in the foreground, set against the angular man made metropolis, a sense of exreme lonliness and vulnerability. We can also see hundreds of identical lights which the director uses to create a sense of conformity between the people in the city. However the railings infront of character show that she is seperate from the sea of people. The theme of vulnerability is also highlighted in the colour of her dress, sharing its conotations with blood and passion, which seperates her from the masses; prehaps she has chosen to live apart. These themes of seperation are implied by the director to give the character a sense of exsistential alienatoin from her settting. The characters skewed perception of morality in an underground world which does not allow a conformative value system has lead her to be alone in both worlds. The director uses this idea of darkness with the iconic and steriotypical neo-gothic city to produce strong conotations of Film Noir.
In this shot we can see the building behind the character, with the use of an intresting camera angle which faces the woman, but also allows us to see clearly behind her. This camera angle emphasises the action of the woman turning her back on the light flooding out from the party. This highlights the theme of isolation in the film, as she is set apart from the light exuding from the building behind her.
The director uses lighting in this shot to show how glamorous, attractive and alluring this world must be, yet the woman is able to turn her back on it, with what appears to be a vulnerable and withdrawn body posture. The director hints to the audience through this use of lighting that she is distrusting of the scene behind her, and that her aloofness and isloation from it are her choice. Her indifference is momentarily lifted as she acknowledges the presence of the male character coming up from behind her, indicating that she must still have some attachment to what is behind her. As the male character makes his way from teh party inside towards the woman he narrates to himself. "She shivers in the wind like the last leaf on a dying tree.I let her hear my footsteps. She only goes stiff for a moment." Right from the outset the dialogue is heavily styalised in the tradition of film of Film Noir, and because the director has made the description of the woman from the perspective of the male character, the audience gains a sense of mystery and unknowing about the female character. This adds to the overall theme of mystery that the director builds on in this opening scene to draw the attension of the audience. This also adds to the idea of Film Noir by portraying the female character as a femme fatale.

When the male character reaches the female character we become awear of strong shadpws on their faces, this keeps the dark themes of running, adding a sinister edge to their convosation. The Female is wearing bright red lipstick which stands out strongly along with the dress against black and whiteness of the film, the lipstick indicates passion and mystery which identifies her again as a femme fatale, giving more connotations with film noir.
The man is dressed very formaly in a suit with black tie, the darkness of his suit creatges mystery, another running theme of the film. The male character invitres the female character to smoke a ciggerette with him, this acts as a social ice breaker between the two characters and shows flaws in the lifestyle they both lead. This also lets the characters portray these flaws to each other establish a common ground between them whilst exersising their social style and grace. These ideas rest firmly with the ideas of Film Noir and create themes of darkness, passion, intimacy and a slight sense of risk in the film. After the male character has has explained that the things he sees in the eyes of the female character make her everything a man could want, she takes a drag on her ciggerrete and as she does so her eyes flash green sudenly, this indicates extra layers in the character, hightening the sense of mystery and increasing the idea of her being a femme fatale.
The female character then asks what it is he sees in her eyes, to which he replys "I see a crazy calm, you're sick of running, you're ready to face what you have to face. But you don't want to face it alone." The two characters now embrace, whihc as they do the picture changes to an almost monoprint coloures as the two characters become grey silhoettes infront of the city skyline, this connotes the idea of togethernesws and intimacy between the male and female as they kiss, highlighting the themes of passion we can see in the film from this opening shot.
After the chacters embrace we can once again hear the narration of male character. "The wind rises electric, she's soft and warm and almost weightless, her perfume is sweet promise that brings tears to my eyes, I tell her that everything will be alright, that I'll save her from whatever she's scared of and take her far far away. I tell her... I love her, the silencer makes a whisper of the gunshot, I hold her close until she's gone, I'll never know what she's running from. I'll cash her check in the morning." As he narrates the situation he shoots her unexpectadly, this adds again to the film's themes of mystery, danger, passion, and darkness; Sumerising the theme of the film in one contradictory action.

Thursday, 12 November 2009

Heroes And Femme Fatales In Film Noir

There are many factors that make up a film noir, be it setting, props or lighting, but one of the features that jumps out most is the sheer flaws in the characters that are in them. In many films today the characters are too polished, either good or bad, when in reality dealing with dark situations like the scenarios in film noir can give anyone two sides to their moral psyche. It is this edginess and unpredictability that make the characters in film noir so memorable and interesting to watch.
The male heroes in film noir are almost always flawed in some way, they often display connotations of alienation and moral ambiguity often because of the events that they experience or have experienced in the film. Some of the examples these flawed heroes are characters like Walter Neff from Double Indemnity, although this character is the hero of this film noir we find out that he has helped kill the husband of the woman he is having an affair with to claim his accident insurance money. When we think of heroes and protagonists in film noir we strong images come to mind, they are usually seen in suave suits and jackets and often portrayed with cigarettes which have more metaphorical connotations with the idea of anti-heroism because they are classy yet destructive.


We can see from Double Indemnity that the situation to cause Walter Neff to turn to the dark side was a woman; this is true to many films and especially with film noir. The seductive yet destructive women seen in film noir are known as femme fatales; the phrase itself comes from France and means literally a fatale woman. A femme fatale is a woman of great seductive charm who leads men into compromising or dangerous situations. The femme fatale in Double Indemnity is called Phyllis Dietrichson; her raw seductive charm affects Walter Neff in such a way that he is compelled to join her in the act of killing her husband. Femme fatales in general are pictured to be very sexually attractive and in film noir you will see them depressed stereotypically in 40’s and early 50’s clothing styles as this was the time period that classic film noir was filmed in. The way that the heroes and femme fatales of film noir perceive the dark situations give the film a afar more edgy appeal, they allow the story line to be dark and twisted while maintaining the classy slickness that everyone associates the films with.

Sunday, 8 November 2009

This is England Presentation


This is England is an indipendant British film written and directed by Shane Meadows, set in the 1980's it follows a young boy and his experiences and envolvement with a group of "skin heads". The film looks at issues to do with racism, culture, and british politics at the time.




Production companies invlolved with the film:



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These posters use steriotypical British imagery, depicting strong connotations of 1980's Britain.

The film also made a website which again uses strong brisish imagery such union jacks and bland building structuctures which give a strng themes of the working class within the film



Cost and Gross
Cost: 1,500,000
Gross Revenue: 8,069,240

Distribution
The film was distributed in cinemas worldwide and on DVD. It was also shown on Film4